While Alice Through the Looking Glass is not as terrible or insufferable as Tim Burton’s first foray into Lewis Carroll’s world, the same word kept repeating in my mind while watching the 3D film: Waste.
While Alice Through the Looking Glass is not as terrible or insufferable as Tim Burton’s first foray into Lewis Carroll’s world, the same word kept repeating in my mind while watching the 3D film: Waste.
Amidst a cocktail of cigarette smoke, booze, Yoo-hoo, blood, morality and slapstick, we find The Nice Guys—Shane Black’s latest Los Angeles crime yarn, set in the late 70s, about a duo of investigative idiots following the trail of a missing girl to discover both conspiracy and corruption.
In artistic ventures, it can rarely be considered a good thing to ignore the sensible and the logical. It’s something that many can appreciate even in a movie as unrealistic as X-Men: Apocalypse.
For the most part, it helps when movies tend to need stories. That’s what we always anticipate, but they’re not always important or even good. That’s a problem that Kill Zone 2 (SPL 2: A Time for Consequences) has.
When it comes to being behind movies that are being released to the masses, I’ve been one of George Clooney’s biggest critics.
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