When done well enough, the action and adventure seen in movies can sometimes be worth buying a ticket on its own. Not only can they satisfy the audience, these elements can also hide some of the issues that a movie might have. That’s kind of what happens with Star Trek Beyond.

In The Neon Demon, Nicolas Winding Refn is presenting audiences with a feature that will prove to be divisive.

When it comes to being behind movies that are being released to the masses, I’ve been one of George Clooney’s biggest critics.

The teenage years of a person’s life can bring about turbulence that’s just about guaranteed to shape their entire existence. Not only are you growing individually, but the people around you will prove to have a huge impact on who you become. That’s one of the things that John Carney’s Sing Street is able to capture as well as any …

hey don’t make them like they used to. Films like Criminal (by that I mean sloppy but reveling in its own stupidity) used to be slightly more common, but the economic disappearance of the mid-budget film has led to a dearth of bull-headed action and sci-fi films. Criminal is neither smart nor exciting, but it does not try to be …