One of the greatest action movies of all time is making its return back to theaters for a limited time. Terminator 2: Judgement Day is being re-released in 3D on August 25th! For those who have seen it, you may be interested in seeing it again on the big screen in a way that you haven’t been able to watch it before. For those who haven’t seen it, this is your first chance to watch what many consider the best action movie ever. Be blown away by one of the most innovative films of its time and prepared to relive one of the pictures that assisted in turning Arnold Schwarzenegger and James Cameron into fully fledged household names.
Synopsis
It has been 10 years since the events of Terminator. Sarah Connor’s ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he’s still a child.
Sarah and John don’t have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost.
The battle for tomorrow has begun….
James Cameron’s masterpiece starring Arnold Schwarzenegger in his most iconic role, has been converted in immersive 3D by Cameron himself. First hitting our screens in 1991 with groundbreaking special effects, the 3D version will take the seminal blockbuster to the next level of effects and into the 21st century for the next generation of fans.
About the 3D restoration
The project was initiated by Lightstorm (lei), James Cameron’s production company, DMG Entertainment and Studiocanal. James Cameron’s team oversaw this 3d conversion from start to finish. This highly experienced and award-winning team had already supervised Titanic’s 3d conversion and is currently working on the avatar sequels.
The original 35mm negative was scanned and then restored in 4k at deluxe la, under the supervision of Geoff Burdick, Lightstorm. The film was calibrated in 4k by skip, James Cameron’s colorist, at Technicolor Hollywood, with a selection of the best 35mm prints from the film’s first release. The film was then converted into 3d by stereo d. (Star wars, Avengers: Age of Ultron, Jurassic world).
This work lasted almost a year and was daily monitored by Lightstorm’s teams, to produce a high-end 3d version at the level of the last 3d outputs from U.S. Studios. The 3d version then benefited from a calibration and a specific finish at Technicolor Hollywood, still under the supervision of skip and James Cameron himself.
