Kornél Mundruczó’s White God begins with a surrealist canine nightmare that unfolds against the backdrop of abandoned urbanity: a young girl pedals through empty streets of Budapest on her bike, her trumpet poking out of the backpack slung over her shoulder. Suddenly, a horde of dogs, led by one especially determined mutt, comes barreling around a corner, intent on running …

Not being a fan of romance films, I always brace myself before seeing a new one. The possibility of being unwillingly manipulated by sweeping orchestral scores and saccharine stories gives me pause. On rare occasion, however, I come across a film that, while flawed, does have elements of sweet and honest love within the drama. The Longest Ride did not …

A sharp, breezy take on a Manhattan couple suffering from a mid-life crisis, While We’re Young continues Noah Baumbach’s two-decade long winning streak as one of the most insightful American filmmakers working today. Dating all the way back to his terrific 1995 debut, Kicking and Screaming, Baumbach has been fascinated with characters who are undone by their various anxieties, whether …

After mourning the passing of Paul Walker, many fans of the Fast and Furious franchise were left wondering just how Furious 7 was going to handle his role and the film as a whole. It was already said that it would feature his two brothers as stand-ins in some scenes along with some CGI, but question marks were sure to …

It may only be April, but Woman in Gold, the latest film by director Simon Curtis (My Week with Marilyn) is certainly the frontrunner for the schmaltziest film of the year. Like a serving of pancakes drenched in far too much syrup, it’s gooey, sticky and sickly sweet; a film comprised entirely of scenes in which mushy sentimentality is prioritized …